Bernaert Van Orley
Flemish Northern Renaissance Painter, ca.1488-1541, Painter and tapestry designer, son of Valentin van Orley. He was one of the greatest proponents of ROMANISM, a northern style based on the ideals of the Italian Renaissance. It must have been in Brussels, however, that he saw the Italian works of art that influenced him so profoundly, for it seems unlikely that he ever travelled to Italy. Brussels was then world-renowned as the centre for tapestry manufacture but was suffering from the ecliptic rise of Antwerp as the pre-eminent painting centre. The artist made the best of both situations, establishing himself as a leading designer for the Brussels tapestry industry and as a master in the Antwerp Guild of St Luke by 1517.
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Bernaert Van Orley Altar to SS Thomas and Matthias oil painting


Altar to SS Thomas and Matthias
mk150 Oak 140x180cm
Painting ID::  39645 		Bernaert Van Orley
Altar to SS Thomas and Matthias
mk150 Oak 140x180cm
   
   
     
Bernaert Van Orley Jonis van Zelle oil painting


Jonis van Zelle
mk156 1519 Oil on oak 39x32cm
Painting ID::  40317 		Bernaert Van Orley
Jonis van Zelle
mk156 1519 Oil on oak 39x32cm
   
   
     
Bernaert Van Orley Portrait of Charles V oil painting


Portrait of Charles V
1519-20 Oil on wood, 711,5 x 51,5 cm
Painting ID::  43568 		Bernaert Van Orley
Portrait of Charles V
1519-20 Oil on wood, 711,5 x 51,5 cm
   
   
     
Bernaert Van Orley Altarpiece of Calvary oil painting


Altarpiece of Calvary
c. 1534 Wood
Painting ID::  51048 		Bernaert Van Orley
Altarpiece of Calvary
c. 1534 Wood
   
   
     
Bernaert Van Orley Altarpiece of Calvary oil painting


Altarpiece of Calvary
c. 1534 Wood
Painting ID::  51049 		Bernaert Van Orley
Altarpiece of Calvary
c. 1534 Wood
   
   
     
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     Bernaert Van Orley
     Flemish Northern Renaissance Painter, ca.1488-1541, Painter and tapestry designer, son of Valentin van Orley. He was one of the greatest proponents of ROMANISM, a northern style based on the ideals of the Italian Renaissance. It must have been in Brussels, however, that he saw the Italian works of art that influenced him so profoundly, for it seems unlikely that he ever travelled to Italy. Brussels was then world-renowned as the centre for tapestry manufacture but was suffering from the ecliptic rise of Antwerp as the pre-eminent painting centre. The artist made the best of both situations, establishing himself as a leading designer for the Brussels tapestry industry and as a master in the Antwerp Guild of St Luke by 1517.

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